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How To Review An Album?

How To Review An Album
Download Article Download Article Reviewing an album can be a creative, interesting, and meaningful task. To be successful, you’ll want to familiarize yourself with musical terms, research the artist, and listen to the album multiple times. If you stay polite and back up your opinions with facts, you’ll have an honest and valuable review finished before you know it!

  1. 1 Listen to the album multiple times. With every listen, new insights and observations should occur to you. If on the first listen you focused on lyrics or melody, try to stretch yourself to notice something different the next time and the time after. The album took a lot longer to make than it will take to listen to it, so try and respect the effort of the artists and appreciate the complexity.
  2. 2 Listen in different places at different times. Try to bring the music with you as you go about your day. Let it play while you’re working out or doing chores around the house. You may notice things when it’s on in the background that you didn’t notice when you were intently listening – music is funny that way! Advertisement
  3. 3 Familiarize yourself with musical terms. To best qualify, your assessment of the music, do a quick internet search for musical terms, and then try to incorporate them into your review when applicable. Here are a few examples of musical terms that could show up in a review:
    • Beat (the regular rhythmic pattern of the music)
    • Crescendo (growing or becoming louder)
    • Harmony (the simultaneous sounding of two or more notes, as in a vocal harmony)
    • Tempo (the speed the music is played)
  4. 4 Write your initial reactions down. Describe how the music makes you feel, whether the album flows from song to song or if it sounds like each song stands on its own. Jot down any poignant or super catchy lyrics. Use these insights later, when you’re adding detail to your review.
  5. 5 Notice what stands out. If an instrument gets featured more than others, or if the guitar riffs are especially prolific, make a note. Identify your favorite songs and lyrics and the ones that seem to be the most catchy or emotional.
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  1. 1 Research the artist and compile interesting facts. Focus on where they grew up, what their musical influences were, how they were discovered or broke into the music business, and what their future goals are. Try to include information that helps the reader understand the meaning behind the album.
    • A recent breakup or the loss of a family member is worth mentioning if it influenced the tone of the album.
  2. 2 Describe how this album relates to past albums or similar artists. If the band has released previous albums, describe how this album fits in and if it sounds different or shows progress. If this is the band’s first album, describe how it relates to other albums in the genre. Note if the artist or band is progressive, or very similar to other artists in the genre.
  3. 3 Read other album reviews. The National Public Radio’s website, Rolling Stone magazine’s website, and the Pitchfork website are all great, free resources. These will give you a sense of structure and ideas for descriptive words and themes you might look for to expand your review.
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  1. 1 Introduce the artist and the album succinctly. Your introduction should be more substance than fluff, and it should also catch the reader’s attention. They should be able to tell from your introduction whether you liked the album or not and what stood out. Include the album release date.
    • For example: “The Pipe Cleaners debut album, This is Futile, was released August 1st, 2017. Since then, it’s received critical acclaim and sold more than 1,000,000 copies. Even though the vocals seem to get lost in the loud instrumental solos and rushed tempos, the album shines as a modern throwback to classic hair metal.”
  2. 2 Describe the artist and their history. Use your outline and the facts you gathered during your research. This is a great place to mention their previous work, if any, and whether any events influenced the album.
    • For example: “Originally formed in Denver, Colorado, The Pipe Cleaners feature William Uling on vocals, Sarah Uling on guitar, Matt Stein on bass, and Dirk Golding on drums. The Pipe Cleaners went through several drummers before settling on Golding and starting work on their first studio album. Before it was finished, legendary rock producer Brandon Wicks caught a live performance and signed the band to his label, Candle Wicks. He and Nick Paul share executive producer credits. During recording, William and Sarah Uling lost their mother, Patty Uling to cancer.”
  3. 3 Describe the meaning and mood of the album. Look for emotional themes, such as empowerment, freedom, and loss. The mood can be discerned from the lyrics and melodies, and how they make you feel upon listening.
    • For example: “The frequent references to death, specifically in the songs “You’re Still Gone” and “When I Close My Eyes” set a dark, but the hopeful mood on this ambitious debut album. In the piercing ballad, “I Could Have Been,” the major themes of the album all come together, which seem to be death, rebirth, and regret.”
  4. 4 Include emotive words and lyrical details. Try your best to describe the instruments, the melodies, and the lyrics by citing specific examples and referencing the actual lyrics in your review.
    • For example: “The lyrics, “This is painful, it’s so shameful, how much I don’t want to care,” from the song, “Give it Up,” shed light on the struggle to deal with Patty’s death. The haunting guitar riffs on, “So This Means Nothing,” and the harmony between the lead vocalist and backup vocalist Matt Stein on, “Say You Will,” were surprising and moving.”
  5. 5 Write about what the band is doing next. If the album you are reviewing is from a band or artist that is still active, talk about their plans. If they’re going to go on tour, tell your readers when.
    • For example: “The Pipe Cleaners will be going on a U.S. tour with Melvin and the Marauders starting September 25th, 2017. Seattle, Portland, Austin, Denver, Atlanta, Chicago, New York City, and Miami are included in the 23 stops. After the tour finishes on October 31st in Los Angeles, the band will be collaborating with Brandon Wicks and Shawn Snyder on their next album, which will have a decidedly different feel. According to Nick Golding, we can even expect some country flair.”
  6. 6 End with a recap. Concisely summarize the more important points in your review. Touch on how the album made you feel, and whether it was worth listening to, and why.
    • For example: “After everything they’ve been through over the last two years, The Pipe Cleaners let it all hang out on this raucous, up-tempo, and fresh LP. The ballads set a high note for vocals, the guitar riffs and solos were unplayable for the average musician and therefore incredible and complex, and the lyrics shine across every song. I’ll be looking forward to seeing them perform this fall on their tour and to hearing what they do with their next album.”
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  1. 1 Proofread the review and ask for feedback. You’ll want to fix any spelling or grammar errors, and sentences or ideas that don’t make sense or aren’t developed. If you get questions, especially the same questions from multiple people, it might be worth answering those in the review.
  2. 2 Write critically, but never cruelly. If you didn’t like something about the album, or maybe even the entire thing, provide examples and stay professional in your tone. “The album was terrible,” isn’t constructive or polite. Stick to the facts and use examples like, “The vocals were off-key and the pitch was a little grating,” or, “The instruments were out of sync with each other and it was difficult to understand the vocalist.”
  3. 3 Choose quality over quantity with your word count. Unless you have a specific word count requirement, don’t feel as though your review needs to be lengthy at the expense of substance. If you can accomplish a review that summarizes the album and honors the many layers and ideas it conveys in a few paragraphs, that’s great!
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Add New Question

  • Question How can I best conclude when writing a music review? I think you should conclude by saying what you liked best about the music and whether or not you would buy it.
  • Question How amd where am I supposed to upload this? Type it up and post it on a blog or a musoc community site.
  • Question What if I haven’t heard previous songs by a band? Can I write a good introduction without discussing the sound of previous releases? Maybe try listening to the other songs if you can’t then just focus on that specific song or album.

See more answers Ask a Question 200 characters left Include your email address to get a message when this question is answered. Submit Advertisement Thanks for submitting a tip for review! Article Summary X To review an album, begin by introducing the artist, including where they’re from, who influenced their music, and what type of music they’ve created in the past.

Then, describe the album in detail, such as the genre of music, notable sounds, and mood of the songs. You can also delve into the meaning of individual songs, or the album as a whole. To support your claims, quote lyrics from the songs and use emotive words, like cathartic, vulnerable, or electric. End your review with a preview of the artist’s next project.

For more tips, including how to avoid common mistakes, read on! Did this summary help you? Thanks to all authors for creating a page that has been read 126,888 times.

How do you write a review on an album?

Tips –

The first paragraph should be a general introduction to what you’re reviewing. Include the title, artist, and an interesting fact about its success or how it was made. The main body of the review needs detailed observations. Use specific vocabulary (e.g. lyrics, fast-paced, catchy melodies ) to comment on particular songs and parts of the music. It is also important to give context. Link the music to the artist’s life, or what inspired them, and the political or social context of the album. Try to make the review interesting and relevant to the reader. You can relate the artist’s work to real-life experience (yours or that of people in general). Use compound adjectives (e.g. fast-paced, foot-tapping, best-selling ) to make your writing highly descriptive. Finish off with a summary of why this album/concert, etc. is important.

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What makes a good album good?

Download Article Download Article There’s a lot more to making a good album than just writing excellent songs. You must also consider thematic cohesiveness, the actual recording of the songs, and creating cover art that effectively represents what the record is about. If you’re making an album yourself, being mindful of these components will make is easier and help you realize your vision.

  1. 1 Develop a theme or concept for your album. Your approach to an album theme can be as loose or elaborate as you like, but some kind of theme is necessary to make your album cohesive. It can be as simple as creating a lyrical theme that fuses the songs together, or you can go all out with a deep-rooted concept album that tells a story through song.
    • For example, a loose theme could focus on a specific emotion, one of the four elements, a particular event that affected you or your own social commentary.
    • To get an idea of how concept albums work, take a look at some of the following: The Wall by Pink Floyd, Pet Sounds by Beach Boys, and Sgt. Pepper’s Lonely Hearts Club Band by The Beatles.
    • Before you start writing songs, spend some time reflecting. Keep a journal and write down your thoughts and ideas as they come to you.
  2. 2 Build on songs that you’ve already written. Chances are, you have songs written that you haven’t done anything with yet. Look closely at those songs – are there any connecting lyrical or melodic themes? Are they strong enough to build your album on?
    • At the very least, these songs might inspire new ideas, or jumpstart a concept you already have in mind.
    • Consider already-written material for your album. Work on building a repertoire of solid songs that you don’t necessarily have a plan for yet.

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  3. 3 Spend a significant amount of time crafting new songs. During the writing phase, don’t aim for perfection or fully realized songs. You can perfect the songs later. For now, explore ideas and make room for inspiration to strike. As you work on the songs, also work toward developing your own unique sound.
    • Inspiration can come at any time, so be prepared. Carry a pen and notebook with you everywhere. Use a voice recorder app on your phone to capture lyric or melody ideas on the fly.
    • If you don’t play an instrument, search online for instrumentals you can lease or purchase from the creator.
    • If you are co-writing songs with someone else, agree on how to split the music rights during the writing process. Typically, whoever writes the music gets 50%, and whoever writes the melody and lyrics gets 50%.
    • Don’t try to force the songs. If you get stuck on one, put that song away and start work on another one. You can come back to it later with fresh eyes and ears.
  4. 4 Practice frequently. Organize specific times for practicing and stick to that schedule as closely as you can. Consistent practicing will help you hone your craft. You’ll also get more comfortable with your material and your new songs will fully develop. Take note of any changes or variations that happen spontaneously while you’re practicing.
    • Think about why these variations might be happening. Do you need to rehearse more to work that kink out, or should that change be incorporated into the song?
    • Don’t be afraid to change your songs based on what comes out naturally while you’re practicing. Allow them to develop organically.
  5. 5 Book gigs and perform in front of crowds as often as possible. Performing will give you the chance to perfect your songs and test your new material out on an audience. Pay attention to their reactions and get feedback from trustworthy people in the crowd.
    • Use gigs as opportunities to improve and refine your songs.
  6. 6 Collaborate with your bandmates. If you are the front person or the main songwriter of a band, it can be difficult to relinquish full control. However, you have to give your bandmates room to interpret your vision while still putting their unique spin on the sound. Allow room for their creative juices to flow.
    • Respect the suggestions and input of your bandmates. The songs will be better for it.
  7. 7 Write more songs than you’ll need for a single record. After honing in on what you envision as the thematic heart of your album, explore your concept more deeply by writing even more songs. In general, most completed albums range from 8 to 12 tracks, so try to write around 20 songs.
    • If 20 seems like too many, just aim to write as many songs as you can.
    • Having an excess of material will allow you to literally craft your album by going through a process of elimination once you’re in the final stages.
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  1. 1 Choose the best tracks for the record. As you narrow down the final tracks, think of the album as sculpture. Carve away the songs that don’t fit your concept. Don’t focus on choosing what you perceive to be the obvious “singles” – include a wide range of songs.
    • Contrast is important to maintain a listener’s attention.
    • Produce only the best of your music. Choose the songs that truly showcase your musical talent.
  2. 2 Arrange the track listing with emphasis on the first track. Track sequencing has always been important, but in today’s digital music market, it’s even more so. Research has shown that the earlier a track appears on a record, the more likely a consumer is to listen to it. The first song in particular is crucial, since it sets the tone for the entire piece.
    • If you’re working with a very particular theme or concept, create a narrative framework. It might help to imagine that you’re composing the music for a film.
    • If you aren’t trying to tell a literal story, think more in terms of grouping songs together in chunks that relate to one another in a way that makes sense to you.
    • Even if your concept/theme is more on the ambiguous side, you still want the album to be as cohesive as possible.
  3. 3 Give the album a title. At this point you probably already have a working title in mind, but it’s best to wait until the entire thing is compiled before committing to one. Choose a title that conveys the theme/concept you’ve been working toward. Go through your lyrics and see if anything jumps out at you as being title material.
    • Bands often use the title of one of the songs as the album title. If you decide to go this route, choose the song that best exemplifies the theme or mood of your album.
    • Another popular choice is to self-title the record, especially if it’s a debut album. To self-title means to make your band’s name the record title.
    • Consider this if you feel that the album’s themes encapsulate what your band is fundamentally all about.
  4. 4 Rehearse the songs to prepare for recording in the studio. Studios usually charge by the hour and they are not cheap. Because of this, make sure that you’ve rehearsed the studio versions of your new songs until you have them down cold. Do as much pre-production on the album as you possibly can before hitting the studio.
    • Figure out the BPM of each song before you go into the studio. This will help you avoid wasting valuable studio time figuring out tempos.
    • If you have fellow band members, make sure everyone has rehearsed. Ask everyone to tune and prep their instruments before going into the studio.
    • Consider recording a demo for each song you want to produce in the studio. You’ll be able to lay down the vocal tracks and work out a lot of the details of the song in advance. Once you’re in the studio, you’ll be able to make the most of your time by focusing mostly on the lead vocal.
    • If you are self-recording your record at home, this is still a good rule of thumb. Before you sit down to record a single note, do all of the pre-production for your record.
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  1. 1 Remove all distractions from the studio. Everyone should put away their cell phones and come into the studio ready to focus on recording the songs. Make sure the room is comfortable enough to spend large chunks of time in. Limit (or even prohibit) visits from friends, family and significant others.
    • Remember to take frequent breaks to avoid over-exerting yourself. You want to keep your mind sharp. Step outside for a few minutes every hour or so for a breather.
    • Don’t have or do drugs and/or drink alcohol in the studio. You’ll run the risk of wasting studio time and negatively affecting your ability to perform.
  2. 2 Create a realistic recording schedule and stick to it. It’s good to go into the studio with high expectations, but don’t hinder yourself by establishing goals that don’t make sense. Even the simplest of songs should take you about 1-2 hours to record, not counting set up time. Expect overdubs to take about 1 hour per song.
    • Book your studio hours based on the above estimations. You may want to even give yourself a little extra time on top of that. It’s better to work with a slight excess of time rather than not enough.Otherwise, you’ll stress yourself out by rushing to finish, and may end up with recordings that you aren’t proud of.
    • Recording can be taxing on your voice, so don’t plan to sing 10 songs in one day. Two songs a day is a good starting point.
  3. 3 Use the best studio equipment you can afford. Get a list of what gear the studio has to offer before you go in and have a discussion with the engineer about what sound you are going for. The most important aspect is tracking the drums, since they are the hardest to get right in a recording.
    • To record good vocals, all you really need is a quality mic and an isolation booth.
    • Talk to the studio to find out if an engineer is included in the cost of your studio time. If not, consider paying extra for one—having someone who can mix the music while you’re performing is worth the cost! You’ll also need to have each song mastered after it’s recorded.
    • Use the talents of your friends whenever possible. As a musician, you probably know people who have engineering talents and home studios.
  4. 4 Avoid overthinking every detail. You need to listen to the recordings with a critical ear, but try to step back and be as objective as possible. It is not uncommon for musicians to over analyze the smallest of details in the studio and then tweak their recordings until they sound completely sterile.
    • You want the songs to sound good, but you also want to preserve their original creativity. Overuse of studio equipment has a way of sanitizing recordings to a fault.
    • It might help to bring some trusted friends in, after the majority of the recording is completed, to get fresh ears on the recordings.
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  1. 1 Make sure the artwork represents what the album is about. Cover art is often the final piece of the puzzle – the visual representation of what the album sounds like. The artwork can pull together your theme and add to the cohesiveness of the songs. It’s also crucial because it’s the first interaction most potential buyers will have with the album.
    • Create or choose powerful images that represent your songs. Keep your album’s theme and overall mood in mind.
    • You want the artwork to be eye-catching, but it should also epitomize your album’s theme.
  2. 2 Put some thought into the color choices. The colors used in the artwork are just as important as the images themselves, so develop a color theme that reflects the album’s emotions. It wouldn’t make sense to record a bleak record about the death of a loved one and then put a pink and yellow cover on it. Conversely, a jubilant-sounding album shouldn’t have artwork that is mostly black or gray.
    • If you’re not a visual artist, consider hiring one on a gig site like Fiverr.
    • Inspect the artwork of some of your favorite albums for inspiration.
    • Think about how the color choices on those album covers relate to the emotion of the records.
  3. 3 Be consistent once you’ve decided on a particular vibe and treatment. Your chosen theme and album vibe should have continuity across the board. This includes even the font choices and your band’s logo (if you have one). The idea is to present a complete package – a fully realized piece of art.
    • The more uniform your complete album package is, the easier it is for people to remember.
    • Keep consistency in mind even when it comes to your band’s merchandise, website, etc.
    • For example, a somber album shouldn’t be paired with a pink band t-shirt.
  4. 4 Create your own artwork whenever possible. When it comes to your album, you are the expert. You know it inside and out. If you aren’t artistic in this way, try to work up a loose initial design in Photoshop or on paper before handing it off to more capable hands. At the very least, have a solid idea of what you are trying to achieve with the artwork before having someone else design it.
    • Be protective of your vision, but also leave a little room for the artist to be creative.
    • Make sure the final design has a high quality digital file that goes with it.
    • When the artwork goes to print, the highest resolution possible is needed to ensure the final product looks solid and professional.
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Add New Question

  • Question What are some tips if I want to create an album? Tanisha Hall is a Vocal Coach and the Founder and Executive Director of White Hall Arts Academy, Inc. an organization based in Los Angeles, California that offers a multi-level curriculum focused on fundamental skills, technique, composition, theory, artistry, and performance at a conservatory level. Vocal Coach Expert Answer Support wikiHow by unlocking this expert answer. First, write or acquire the rights to the songs you want to record. Then, the next step is to record. It’s a good idea to record in a professional recording studio, so search Google or Yelp for a quality studio in your area. Studio time will usually run between $50-$200 per hour depending on whether an engineer is included in the price.
  • Question Can a 14-year-old make a rap album? Yes. There is no age requirement for making an album, rap or otherwise, but it will be a lot of work so you have to be committed.
  • Question I’m writing a song/songs, but I don’t know what to do for music and I’m not a singer, how do I make an album? You can find other people to make the melody and sing, sell your song lyrics, or try to learn an instrument. If that doesn’t work you can mix music yourself and then get a singer to sing the songs.

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Once you release music, register with a performing rights organization (PRO) like BMI, ASCAP, or SoundExchange to help manage any royalties your music might earn. Also, register your songs with the US Copyright office. You can do this online.

Advertisement Article Summary X The first step to creating a good album is writing it! Once you’ve written about twice as many songs as you’ll need, decide how they might fit together into an album. Choose the best songs and arrange them so that the first track is your very best song.

How do you write a music album description?

To write a great album description, one needs to consider various elements such as the music genre or genres, the sonic details, the mood, and the overall theme or story of the album. A successful album description should also be concise!

What makes an album good?

There are exceptions, but a music album is generally good if: It contains no filler – all songs are written from the heart without adding inferior songs just to make it an album (best to release an EP if there are only 6 good songs). It runs less than 40 minutes – too long an album gets stale after about 35 minutes.

What could be better album review?

How To Review An Album The Happy Fits return with their sophomore studio album What Could Be Better, a delightfully chaotic contemplation of everything from growing up to love and identity. The Happy Fits are rewriting the rules of pop with their unique infusion of folk elements into their indie rock roots.

  • They are a trio composed of Luke Davis on drums, Ross Monteith on guitar/vocals and Calvin Langman on cello/vocals.
  • The Happy Fits made their debut with 2016 EP Awfully Apeelin’, and released their first studio album Concentrate in 2018.
  • Since then, The Happy Fits have planted themselves firmly in the hearts and playlists of over 450,000 monthly Spotify listeners (and rapidly growing).

Now, What Could Be Better, let’s get into it. The album begins with ” Go Dumb ” the energetic single that immediately demands the listener’s attention with a driving drum line and dexterous guitar riffs. “Go Dumb” has impossible-not-to-groove-to rhythms and spunky lyrics that set the stage beautifully for the rest of the album.

  • The Happy Fits speak on late night overthinking in ” No Instructions “, which, as its title suggests, laments our utter lack of instructions for love and life.
  • Calvin and Ross sing “I’m freaking out, I have no real answer, got only questions, I’m waiting for my mind to go to sleep, so I can get some peace”, me too boys, me too.

Next up is ” Moving “, one of my personal favorite songs off the album. “Moving” had me hooked in the first five seconds with a combination of hand claps and guitar, the sound of which was progressively built upon in each verse of the song. By the end, the song personifies movement itself, thus dancing is mandatory.

  1. The cello takes the spotlight in ” The Garden “, complete with beautiful layered harmonies and vivid visual imagery.
  2. Two of Many ” and ” Hold Me Down ” both belong in the soundtrack of an indie coming of age movie, either in some sort of travelling montage or build-up to a big romantic moment.
  3. Just trust me.

What Could Be Better grows increasingly unpredictable as the album continues. ” She Wants Me to Be Loved ” is alternative in all the right ways with the same Happy Fits animation and elegant incorporation of the cello, taking the gold for my personal favorite song on the project.

  1. Sailing ” begins a slower, pensive reflection on loneliness defined mostly by guitar instrumentation that grows increasingly urgent as the song continues.
  2. This perhaps mimics the growing disappointment one might experience in the search for a genuine friend or partner these days.
  3. Get A Job ” takes the listener back to The Happy Fits’ roots in rock with crazy electric guitar refrains and a story all twenty- and thirty-somethings can relate to: the monotony of a 9-5 job.

The album wraps up with its namesake, ” What Could Be Better “, a quintessential HF tune and lovely album finisher. For their second ever studio album, The Happy Fits knocked it out of the park. What Could Be Better not only has amazing variety in terms of production and genre, but everything they tried to do, including the infusion of worldbeat and mature lyrical themes, was done very well.

The genre anarchy that distinguishes The Happy Fits is intensified in this album via noticeably fuller sounding instrumentation. In their career, the band has had to navigate entirely new waters sonically with their use of the cello. This means countless hours troubleshooting the best ways to record it and figuring out how to accurately convey the desired sound onto a digital streaming platform.

The growth is incredible, I can’t wait to see what the guys do next. Rating: 9/10 Favorite songs: “She Wants Me To Be Loved”, “Moving” Article by: Olivia Smelas

How do you rate music?

4. Beyond Music Ratings –

  1. Let’s now discuss the principles of ranking and rating music, how we shouldapproach this, and take a quick look at what are the main considerations.
  2. I won’t get into the obvious environment issues such as surroundings, soundsystem, the timing and whatever keeps you at your highest mood for a good
  3. music session.
  4. These are all self-explanatory and personal considerations that should bedetermined individually by the listener.
  5. Here are the important points that one has to keep in mind while listeningand ranking music:
  6. a) Acquaintance You have to be acquainted with the music you are about to rank and rate.Acquaintance is very individual and subject to the complexity of the music,
  7. and to the experience of the listener.
  8. b) Context Music has to be ranked by its own appeal, and also by the full context,
  9. meaning that we should ask ourselves how much we like it, how it connected with the other tracks, how it maintained the flow within the album, and how much did it shine compared to the other pieces.
  10. There is a big difference between ranking individual music tracks bythemselves, alone, and by ranking them within the complete original album.
  11. The complete album is home to that music, it’s where it belongs, where theyconnect, fit into a theme, and groove in a flow of the complete piece of
  12. art.

“Together we stand, divided we fall”

  • c) Music consistency Certain tracks are difficult to rate.Some of the reasons that make it hard to rank and rate music could be:changes in the mood of the music within itself, changes in its power,
  • melody, tempo, because of complexity, or perhaps because the music was just too long and had many ‘ups’ and ‘downs’.
  • Whatever reasons of uncertainty are there, the way to go by, is to consider its overall quality, trying to average the ‘highs’ and ‘lows’ and mainly by comparing that track to other tracks on the album — see next point.
  • d) Relativity Music could also be ranked and rated in comparison.
  • That’s when you use the relative judgment by comparing that unknown ranking track to something else, preferably of the same artist, and within the same album.

e) Complexity Consider the complexity of music.Smaller tracks (in length) that sound great at first hearings tend to looseattractiveness within time as they “burn out” on us.And the opposite is the case with longer and complex music where earlylistening may not expose their potential, but after few hearings they beginto sink in and open up.

  1. When you attempt to rank complex music, make sure that you do that only after you got very well acquainted with it, whatever amount of sessions and hearings would it take.
  2. F) Wear off There is a lifespan to our excitement for any given music.What it means is that music, does ‘wear off’ and lose attraction after toomany listening’s in a burn out rate that usually relates to its complexity.

Complex music could, in fact, gain more appreciation over time, where common popular music fades and makes place for new comers. g) Early releases Early releases are quite often the very special and the best output of mostartists.They capture sounds and spirits that would never repeat again for thatgiven growing musician.Sounds of youth.

  • Sounds of fresh and raw material, aggressive, eager, furious, brave and yet naive artists that just want their art to make a difference, and make that change in this world.
  • These early recordings are the fruit of ideas, and work that had all the time in the world to develop, up to that point in life when they finally break out.

The fame and pressure that follows the early success typically take theirtoll on the artist and kill much of that creativity that made them rise up to thetop.And so, most musicians are only famous for accounting just a few of their albums which carry on their legend for many years.Typically, their best music is what they had released in their first few years of professional music creation.

  • Sure, some — but not too many of these musicians are fortunate to develop,build up on talent and creativity, and expand their music and career.
  • Pay special attention to the early releases of your favorite artist.
  • They are usually worth much more than what you have initially thought.
  • H) Lyrics and melody-music Lyrics and music connect like body and soul.

Lyrics have much more significance than the meaning of their words.Those words may not always connect and make sense, but they serve music in so many other ways.Lyrics carry the music. They give music power, motion, beat, and life. Lyrics may lift up the music, move it around, lower it softly, roll it, shake it, give it a dimension of life and a beat, and frame up the music into sections.

  1. And while lyrics are so significant in the structure of some of the majormusical works, it is the music itself, the melody that shapes and makemusic what it is; the king of popular art.
  2. Without music-melody, the words turn to poems.
  3. Some of the greatest genres are all about pure music, such as Classicalmusic and great portions of Jazz music.

And then, some music is all about the lyrics, where the artist turns overthe conventional structure and uses the lyrics as the body and the soul of their work, leaving the melody as only secondary.A good example for this is ‘Imagine’ by John Lennon. The melody is really simple and almost unnoticeable, but then comes in the lyrics that turn it into a masterpiece.

An even better example is the music of Leonard Cohen who was very minimal on melody, and based most of his music on verbal content. i) Music artwork Music artwork, or as we see it in the design of vinyl and CD packageshas a role in delivering a certain experience. The artwork serves as an eye catcher — a glimpse to the musical adventure that’s hidden within the album, inside that package.

And when impressively done, it can transform our mind into that world of music.A good example of impressing artwork is in the early albums of Yes (it’sthe name of a progressive band).Another example of remarkable artwork that practically shifts the mind intothe musical scene is the original triple sleeve for the audio soundtrack ofWoodstock. Remarkable-artwork — allmusicrating.com These are all important considerations that influence our ruling, and whenwe know about them, and when we are aware to their role, we can then make better judgments and end up with solid ratings.

How do you become a music critic?

How to become a Music Critic – Becoming a music critic requires a combination of education, passion, and experience. Here are some steps that can help you pursue a career as a music critic:

Develop a deep understanding and love of music: A music critic should have a broad knowledge of various musical styles, genres, and artists. Read about music, listen to a wide range of recordings, and attend live concerts and performances to build your musical vocabulary and appreciation. Get a strong education: A university degree isn’t required to be successful in this career. However, it is strongly recommended. A degree in writing, music, journalism, communications, English, or a related field can be beneficial for a career in music criticism. Build your portfolio: Start writing about music on your own, whether it be in a personal blog or for a local publication. The more you write, the better you will become at communicating your thoughts and opinions. Most music critics start from the bottom, often working for free to gain experience and build up their writing portfolio. Network with other music professionals: Attend music conferences and events, join online forums, and make connections with musicians, producers, and other music industry professionals. Get published: Seek out opportunities to have your writing published in music-related magazines, blogs, or online publications. This will help you build your credibility and get your name out there. Stay up-to-date with the industry: Stay informed about new music releases, trends, and industry news to ensure that your reviews are relevant and informed.

Associations There are many associations for music critics, both international and national, that serve to promote and support the work of music critics and journalists. Some of the most notable ones include:

International Association of Music Critics (IAMC): Founded in 1950, the IAMC is an organization that represents music critics from around the world. Its main aim is to promote and support the practice of music criticism and journalism, and to foster international communication and collaboration among music journalists. The IAMC organizes events and conferences, publishes a newsletter, and offers awards for outstanding work in music journalism. Music Critics Association of North America (MCANA): The MCANA was founded in 1956 as an organization of professional music critics in the United States and Canada. Its mission is to promote the highest standards of music criticism, to encourage the development of music journalism, and to foster the public’s understanding and appreciation of music. The MCANA offers awards for music criticism, and provides resources and support to its members through networking, conferences, and other events. Jazz Journalists Association (JJA): The JJA is an organization dedicated to promoting jazz music and jazz journalism. Founded in 1986, it provides resources and support to its members through publications, networking, and events. The JJA also offers awards for outstanding jazz journalism, and promotes the importance of jazz music and its role in American culture. American Society of Journalists and Authors (ASJA): The ASJA is a professional organization for freelance writers and journalists of all kinds, including music critics. Its mission is to provide resources and support to its members, including networking opportunities, professional development, and legal and ethical guidance. The ASJA also advocates for the value and importance of freelance journalism in the modern media landscape. Association for Popular Music Education (APME): The APME is an international organization that supports the study and teaching of popular music, including music journalism. Its mission is to promote the academic study of popular music, to provide resources and support to educators, and to foster collaboration and communication among scholars and practitioners in the field. Society of Professional Journalists (SPJ): The SPJ is a national organization that advocates for the ethical and responsible practice of journalism across all fields, including music journalism. Founded in 1909, the SPJ provides resources and support to its members, including training, legal and ethical guidance, and networking opportunities.

Online Resources There are many online resources available for music critics. Here are some websites and platforms that may be helpful:

Pitchfork: Pitchfork is a highly respected music publication that covers a wide range of genres. It’s a great resource for music criticism and reviews. Rolling Stone: Rolling Stone is another well-known music publication that has been around for decades. They cover a broad range of music genres and offer insightful reviews and criticism. AllMusic: AllMusic is a comprehensive database of music information that includes reviews, biographies, and discographies. It’s an excellent resource for music critics to research and analyze music. NPR Music: NPR Music is the music section of the National Public Radio (NPR) website. They offer reviews, interviews, and news coverage of a variety of music genres. Stereogum: Stereogum is an online music publication that covers indie rock, pop, and electronic music. They offer insightful reviews, features, and interviews. The Quietus: The Quietus is a UK-based online music publication that focuses on alternative and experimental music. They offer in-depth reviews, features, and interviews. Rate Your Music: Rate Your Music is a user-generated music database that includes ratings and reviews from music fans around the world. It’s a great resource for music critics to see how a particular album or artist is received by the public.

What should be the first sentence of a book review?

Introduce the topic of the book (what is the issue at hand, and why should we care?) Introduce the title and author of the book. State the purpose of the book (including the author’s thesis or major findings) State your thesis (or the purpose of your review)

How do you start a sentence in a book review?

– One of the things that surprised me was – I would definitely recommend this book to – I particularly enjoyed the part when – I am looking forward to reading other books by

How long should a written review be?

Every publication has its standard format and general guidelines. Book reviews are no exception to the rule and have a particular word count that should be met and/or not exceeded. A book review is supposed to be around 1,000 words, but it can range from 400 to 2,000 words. How To Review An Album

What could be better album review?

How To Review An Album The Happy Fits return with their sophomore studio album What Could Be Better, a delightfully chaotic contemplation of everything from growing up to love and identity. The Happy Fits are rewriting the rules of pop with their unique infusion of folk elements into their indie rock roots.

  • They are a trio composed of Luke Davis on drums, Ross Monteith on guitar/vocals and Calvin Langman on cello/vocals.
  • The Happy Fits made their debut with 2016 EP Awfully Apeelin’, and released their first studio album Concentrate in 2018.
  • Since then, The Happy Fits have planted themselves firmly in the hearts and playlists of over 450,000 monthly Spotify listeners (and rapidly growing).

Now, What Could Be Better, let’s get into it. The album begins with ” Go Dumb ” the energetic single that immediately demands the listener’s attention with a driving drum line and dexterous guitar riffs. “Go Dumb” has impossible-not-to-groove-to rhythms and spunky lyrics that set the stage beautifully for the rest of the album.

  1. The Happy Fits speak on late night overthinking in ” No Instructions “, which, as its title suggests, laments our utter lack of instructions for love and life.
  2. Calvin and Ross sing “I’m freaking out, I have no real answer, got only questions, I’m waiting for my mind to go to sleep, so I can get some peace”, me too boys, me too.

Next up is ” Moving “, one of my personal favorite songs off the album. “Moving” had me hooked in the first five seconds with a combination of hand claps and guitar, the sound of which was progressively built upon in each verse of the song. By the end, the song personifies movement itself, thus dancing is mandatory.

  • The cello takes the spotlight in ” The Garden “, complete with beautiful layered harmonies and vivid visual imagery.
  • Two of Many ” and ” Hold Me Down ” both belong in the soundtrack of an indie coming of age movie, either in some sort of travelling montage or build-up to a big romantic moment.
  • Just trust me.

What Could Be Better grows increasingly unpredictable as the album continues. ” She Wants Me to Be Loved ” is alternative in all the right ways with the same Happy Fits animation and elegant incorporation of the cello, taking the gold for my personal favorite song on the project.

Sailing ” begins a slower, pensive reflection on loneliness defined mostly by guitar instrumentation that grows increasingly urgent as the song continues. This perhaps mimics the growing disappointment one might experience in the search for a genuine friend or partner these days. ” Get A Job ” takes the listener back to The Happy Fits’ roots in rock with crazy electric guitar refrains and a story all twenty- and thirty-somethings can relate to: the monotony of a 9-5 job.

The album wraps up with its namesake, ” What Could Be Better “, a quintessential HF tune and lovely album finisher. For their second ever studio album, The Happy Fits knocked it out of the park. What Could Be Better not only has amazing variety in terms of production and genre, but everything they tried to do, including the infusion of worldbeat and mature lyrical themes, was done very well.

  • The genre anarchy that distinguishes The Happy Fits is intensified in this album via noticeably fuller sounding instrumentation.
  • In their career, the band has had to navigate entirely new waters sonically with their use of the cello.
  • This means countless hours troubleshooting the best ways to record it and figuring out how to accurately convey the desired sound onto a digital streaming platform.

The growth is incredible, I can’t wait to see what the guys do next. Rating: 9/10 Favorite songs: “She Wants Me To Be Loved”, “Moving” Article by: Olivia Smelas

How do you cite an album in writing?

General Format Artist. ‘Song Title.’ Album Title, Record Company, Date.